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Marigold
Book and Lyrics by Alan Melville
Savoy Theatre, London, May 1959
77 performances
Role: Archie Forsyth
Jeremy's Songs:
Liner notes by Pauline Grant
from the Marigold Original Cast Album
Marigold is a gentle, tartan pastiche, as
emotive as a valentine, designed expressly for the fugitives from
the dynamic impact of contemporary American musicals. Its
objective: nostalgia.
Act 1
On a summer afternoon in 1842, in Paradykes,
Peebleshire, Mrs. Pringle, The Minister’s wife, and the Ladies
Guild prepare for the annual Sale of Work. The gossip revolves
endless round the proposed visit of Queen Victoria and Prince
Albert to Edinburgh Castle.
For a young lady of that leisurely era,
Marigold, Mrs. Pringle’s ward, spends an extraordinarily busy
afternoon. In strategical deference to the “Handbook for Young
Ladies” she accepts the suit of Mr. James Payton, a local turnip
farmer. ... She then receives the celebrated French actress, Mme
Marly, who impetuously presents her with an expensive Paris gown.
Our astonishment is only less than Marigold’s because we have
already learned that Mme Marly is Marigold’s mother –
separated for fifteen adventurous years, from Marigold’s father,
Colonel Sellars.
On top of this, a crowd of Officers, from
Colonel Sellars’ regiment, arrives – and long before the last
heel has clicked we suspect that handsome Mr. Archie Forsyth has
his own ideas on the pattern or Marigold’s future life.
... The Act ends ... with Marigold stealing
from the Manse towards the high life of Edinburgh.
Act II
Her loyal officers are drinking Her
Majesty’s health with patriotic ardour outside Archie’s
quarters in Edinburgh Castle. Marigold arrives and sets about
organizing, with military competence, a “Sixteensome” Reel for
Officers and their Ladies. Before Archie completely regains his
breath from this fascinating manoeuvre, he is deprived of it again
by learning Marigold’s fixed intention to spend the night in his
quarters.
Colonel Sellars finds his daughter hiding
behind Archie’s curtains, and only Mrs. Pringle’s arrival as
chaperone and ally prevents a court-martial casting its shadow
over these innocent proceedings.
Just as everything seems to be straightening
out, Archie’s Aunts arrive and, hearing that he intends to save
Marigold from the turnips by marrying her himself, promptly cut
him off without a penny. Mme Marly proves more than a match for
Scottish obstinacy by settling an enormous dowry on Marigold. One
is left with the impression that, with Marigold in charge, life
for Archie and his fellow officers is going to be one long reel.
... Sally Smith is an enchanting heroine [as
Marigold]. Her daisy- fresh singing ... captivates us as
effortlessly as it did the handsome, dashing Archie Forsyth of
Jeremy Brett.
From Flops
of the 1950: Marigold
"Could there have been a more handsome leading man than Jeremy Brett, fine of voice and confident in song? He brings a welcome dash of masculinity to proceedings that are dominated by the female stars.
"
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